Many years ago, in a parallel universe not far from here, I worked for
a small dot com Internet company.
One day, the boss walked in and proudly announced: Right - Ive
bought everyone three sessions at the London Float Centre'. I thanked
him but told him I wasn't interested and he could give my three
sessions away to a more needy case but he was insistent and he was the
boss.
So, on a Thursday lunchtime, I found myself nervously walking down to
the mysteriously named 'London Float
Centre' located not in sunny San
Francisco but in grey, cold, dreary Clapham Common. As I nervously
walked into reception, my preconceptions and prejudices were instantly
reinforced when a young lady wearing a colourful, long dress with
braids in her hair greeted me.
I looked around at the arty artwork on the walls and nervously
mumbled: 'Err, this is, err, my first time. How does this all work ?'
She replied: 'You just go to your cubicle, get undressed and enter the
flotation chamber for 40 minutes. A quiet bell sounds to indicate the
end of your session.'
'Undressed' - did she just say 'undressed' ? My reluctance and lack of
commitment to this ludicrous idea was being severely tested already. I
had packed my Hawaiian swimming trunks specially for the occasion.
No-one back at the office ever mentioned getting 'undressed'. The
young lady must have sensed my unease or maybe she saw my brightly
coloured swim wear in my carrier bag I was holding (like Mark. E.
Smith but without the broken hip). 'Of course, you don't have to get
undressed. You can wear swimming trunks. It's entirely up to you.'
I was about to depart for cubicle 3, wondering what the hell I was
doing here and cursing my boss when the young girl bamboozled me with
a surprise, trick question: 'Do you want the music on or off ?' If I
hadn't been so nervous, I would have answered 'Yes please. I'll have
'Bend Sinister' followed by 'The Sky's Gone Out' but instead I
hesitated, looked blankly and replied: 'Music - how do you mean -
exactly ?'
'Well - some people find the sensory experience is heightened by music
playing during the session. If you don't like it, just press the
button to your left to turn it off.'
'Ah OK then - yeah I'll have music. That will be nice. Thanks.' while
thinking inwardly to myself '...nice to ease the boredom of being
immersed in a salt water solution in a darkened room for 40 minutes.'
I made my way to cubicle 3 and assured myself that the dimensions of
the flotation tanks meant they were single user only and the cubicle
could be locked to ensure stray people could not wander in and
mistakenly stake a claim for immersion chamber No. 3. Finally,
reluctantly, I decided to embrace the full hippy, flower power, free
love experience by casting aside my shorts. Plus the wife would be
pleased - they wouldn't need washing.
Feeling like an idiot, I laid down in a small-ish, rectangular tank of
warm water. Gradually, the concentrated salt solution managed to float
my enormous bulk and I just laid there floating - in silence - with
the light on - staring at the cream roof. Now what ?
I remembered the girl had told me to press another button to turn the
lights off which I did.
Now I was lying bollock naked, floating around in a tank of luke warm
water, staring up at nothing - in pitch black. It was dark, completely
dark. I waited 40 seconds for my eyes to adjust so I could make out
the reassuring lines of the walls and the ceiling but my eyes didn't
readjust. It was still pitch black.
I was floating around aimlessly. I nearly had a heart attack when my
shoulder bumped the side wall. I thought someone, possibly the not
unattractive hippie girl with dreadlocks, had somehow unlocked the
door to cubicle 3 and silently crept in unnoticed to lie alongside me.
I tried to calm myself down, to be open minded and lighten up - for 30
seconds at least - and to actually try enjoy the whole experience. I
managed to master floating while remaining perfectly still. I
gradually felt calmer and actually started to enjoy the silence. No
longer was I looking for the solace of the walls or the ceiling or
worrying whether my wallet was safe.
Then, like a bolt from the blue, like a shot to the heart, from
nowhere , soft music started playing. Very quietly, very gently -
whale like music. This was just like having a water birth at home -
except I was a middle aged man in a flotation chamber in Clapham
Common. Obviously, they didn't have anything by The Fall or Bauhaus -
I must put that on the feedback form.
I laid back again and listened - nothing - apart from the strangely
reassuring and apt sound of dolphins talking to each other. I strained
my eyes - nothing. Again, I relaxed and forgot all about my stupid,
small, minuscule, trivial worries at work. I forgot about everything.
I even forgot about the prospect of falling asleep, drowning in 8
inches of water and winning third place in the 2001 Darwin Awards.
I laid back, floating. My mind became strangely blank. Completely
blank. It was glorious. A glorious nothing-ness. A glorious emptiness.
A glorious void. I just laid there; doing nothing, thinking of
nothing.
This state of mind continued for another 25 minutes. Not once did I
think of the time. Not once did I think of work. Not once did I think
of United's chances of lifting the title. Not once did I think of
online media recovery of an Oracle database when some of the archived
redo logs were in deep in secure storage offsite and we only had a
daily collection from Iron Mountain. Not once did I think of the
appraisals of the four people reporting to me.
After a beautiful period of more nothing-ness, a gentle noise told me
the session was now over. I lay there for a little longer and finally
pressed the light switch.
The lights came on. I was back in the real world. I could see the
walls. I could see the ceiling. I could see how small the flotation
tank was. I could see a third button next to 'Music' and 'Lights'
called 'Emergency Assistance'. Good job I hadn't noticed that earlier.
The whale music CD abruptly ended as if killed by a blood soaked
harpoon.
I got dressed, checked the contents of my wallet and packed away my
dry swimming trunks for my summer holidays in Crete.
I walked back into reception: 'Now - how was it ?' 'Yeah - it was
great. Thanks.' 'Oh good - we've had a lot of people from your
company. They all seem to enjoy their sessions here.'
'Would you like a cup of tea ?' I was about to reply 'No - really I've
got to be getting ba-' but I caught myself just in time. 'Yeah - that
would be great. Thanks.'
So I sat down with some blackcurrant, herbal tea chatting with the
receptionist about the science behind flotation chambers or isolation
tanks.
Then I returned to the office. Now this is where is gets really weird.
I couldn't concentrate. I felt like I was still floating up high,
looking down on everyone. I felt like I'd done some drugs. I couldn't
type or read my email - well that's not true - I could type letters
and read words but they didn't seem to make sense. Nothing seemed
important. Nothing seemed to matter. As The Chameleons sang in 'Second
Skin', I felt like 'I was floating on air'.
At 4 o'clock, I capitulated, politely made my excuses and decided to
go home early.
Years later, whenever I recount this story, my wife says: 'Yeah - it
was weird. When he walked in, he looked like a complete zombie. I
thought he'd been made redundant or someone had died at work. Either
that or someone in the office had given him space cake for a laugh.'